Live Events · Live Music · Production · San Antonio, Texas
Live Events.
I work live two ways. On stage with the songs, and behind the room running the production. One night that means a band on a small stage in San Antonio. The next it means cameras, sound, and a stream going out to people who could not be in the room. Both are the same craft. Hold the attention, keep the meaning, make the night land.
Julie Good and A Dog Named Mike · Good Creative Media · The IMC Machine
Full
Band for live rooms
2
Ways I work a room
3
AIs behind the production hub
1
Media library per client
How I work live
Two ways into the same night.
Some events want a performer. Some want the whole machine behind the room, the cameras and the sound and the stream and the archive. I do both, and I built the system that does the second one.
As the performer
On stage
Julie Good and A Dog Named Mike
An Americana band out of San Antonio, built around original songs from the debut album, Coffee Conversations. I also play solo when a room wants something quieter.
- Full band for full rooms and stages
- Solo sets for listening rooms and private events
- Original Americana, San Antonio roots
As the production operator
Behind the room
The Live Event Production Hub, on The IMC Machine
The events arm of Good Creative Media runs on a platform I built myself with OpenAI's ChatGPT, Anthropic's Claude, and Google's Gemini. The Live Event Production Hub turns one night into media that keeps working after the lights come up.
- AI video directed capture that follows the action
- Live streaming for the people who could not be in the room
- Podcast distribution after the night is over
- Auto equalizer so the live sound stays clean
- A media library built for the event client, in one place
Upcoming
What is coming up.
Shows with the band and solo, talks, and the events Good Creative Media supports through The IMC Machine. Dates appear here as they are confirmed.
Calendar
Dates post here as they confirm.
Want a date on this calendar, on stage or behind the room? Write to me and we will find the night. Get in touch.
Music and production ask the same question. What keeps a person in the room long enough for the night to matter.
Set types
I book the room I can serve.
A good booking is not just a date. It is a match between attention, space, sound, and the reason people came out in the first place.
For rooms with a pulse.
Americana with the full band when the night wants lift, drive, and a real stage presence.
Bring this when
The room is social, the stage can hold a band, and the evening needs songs that carry across the room.
Book Full BandFor rooms that listen.
Voice, guitar, and enough space around the song for the language to do its work.
Bring this when
The room is intimate, the audience wants story and lyric, and the best instrument is restraint.
Book SoloFor an evening with shape.
Song-centered pacing with just enough context to make the night feel human.
Bring this when
The event wants warmth, attention, and a set that understands when to talk and when to get out of the way.
Book Listening RoomI need a clear room plan, a realistic load-in window, sound details, and one person who can make decisions. Clarity is kindness in live production.
Yes. Through Good Creative Media, I can help shape live capture, streaming, audio, and the media library that keeps the event useful after the night ends.
Yes, when the fit is right. I care about rooms where the music can be heard and the purpose of the gathering is clear.
Booking
Let us put it on the calendar.
Tell me what the night is. A show, a talk, a stream, a full production, or all of it. I will tell you exactly what I can bring and what it takes to make it land.
Book A DateBooking and production through Good Creative Media. Reach me at thisisthegoodlife@juliegood.com.
Buddy
Julie Good’s AI guide